2002 - 2007 DTV Migration Trends Report - Global Production / Post

Data for this report was derived from an extensive survey of video and film production & post facilities, worldwide. Results are shown by vertical market as follows: video production; video post production; film production/post; other (corporate, institutional, etc.) and by USA vs. ROW. The report, contains survey data, charts, and summary tables on the following questions

Table of Contents:

Technology Trends

• By when do you expect all US TV Stations will be broadcasting in H/DTV?
• By when do you expect to shoot or master in 24p?
• What sort of 24p interconnection do you use?
• How, if at all, do you deal with overcranking (slow motion) or undercranking?
• By when do you expect to use compressed video distribution?
• What type(s) of compression?
• By when do you expect to use non-real-time video file transfer?
• What type(s) of transport?
• By when do you expect to deal with recorded metadata?
• What type(s)?
• By when do you expect to deal with the material exchange format (MXF)?
• How, if at all, do you treat letterbox/pillarbox bars so as to reduce burn-in on consumer TVs?
• What type of copy-protection coding, if any, do you plan provide?
• By when do you expect to have an all digital standard definition production facility?
• By when do you expect to have an all HDTV production facility?
• Which formats and nominal frame rates do you now use / expect to use? (check all that apply)
• Which H/DTV video tape formats do you now use / expect to use? (check all that apply) BetacamSP
• By when do you expect to provide facilities for HDTV production in the 24p format?
• By when do you expect to provide color-correction for digital cinema?
• What display do you use or intend to use for digital-cinema color-correction?
• By when do you expect to provide closed-caption encoding?
• By when do you expect to provide described audio for the visually impaired?
• Re video transport, which video transport mechanisms are used/planned for use in your facility's infrastructure?
• By when do you expect to begin purchasing fiber optic equipment for digital video?
• By when do you expect your facility to accommodate HDTV (1.5Gb/s) over fiber?
• For what purposes, if at all, do you use ATSC compression coding?
• What is your approx. average annual equipment budget (for digital equipment only) for the next 3 years (per year)?
• How much does your station expect to spend in total on conversion to digital?
• Which sources do you use/plan to use for H/DTV Conversion?
• For what purposes, if at all, do you use ATSC compression coding?
• How are you using HD formats?
• Are you using HD formats to expand global market reach on projects?
• What type of projects will be best candidates for H/DTV?

Product Trends

• What vendors do you see as leaders in H/DTV solutions
• What product/s that you would like to see is/are not yet available?
• By when do you expect to purchase HD versions of the following products?
• AD's / DA's
• Camcorders
• Cameras – ENG/EFP
• Cameras – Studio
• Character Generators
• DDRs
• Encoders / Decoders
• Graphics Workstations
• Lip Sync Measurement and Delay Equipment
• Master Control Switchers
• Newsroom Automation Systems
• Non-Linear Editors
• Production/Post Switchers
• Routing Switchers
• Telecine
• Up / Down Converters
• Video Monitors never
• Video Projection Equipment
• Video Servers
• Video Test & Measurement Equipment
• VTRs

COST

• Full Report - All Sections $2,450
• Technology Trends Section only -- $1,750
• Product Trends Section Only -- $975
• Cost per question/per product - $150
  
• 25% Discount if both Production/Post Report and Broadcast Report Purchased Together
  Payment by Credit Card (Amex, MC, Visa) or PO

DELIVERY

Via e-mail as attached Microsoft Word file/s (zip format).

To order or for more information, contact Toby Beyer at: tbeyer@digitalmedianet.com